‘Portrait With Firewood’ LP will land on August 17
Manuel debuted in 2010 and has since quietly established himself with a slew of releases on labels including 2nd Drop Records, R&S, and Ilian Tape. He’s widely acknowledged for his ability to deftly fuse a range of genres from jazz, hip-hop, and dubstep to ambient and techno.
We’re told that Portrait With Firewood is Manuel’s “most personal body of work to date,” and the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sample-heavy approach, he returned to his childhood instrument of the piano as a core starting point. “It’s a confessional record… I realize that’s a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it’s apt. There’s a sort of emotional candor,” he says.
Manuel is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. He explains that he’s previously been shy at the prospect of fans hearing his piano playing, but determined to overcome this fear, he has brought forward a new honesty to his work. “Finding the confidence to work with my own piano improvisations was a big part of that,” he says. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly.”
The goal, we’re told, was to create something “overwhelmingly beautiful, but also to capture the “inherent melancholy in beauty in all its impermanence and fragility.” He took inspiration and solace from performance artist Marina Abramovic. “She has an incredibly deep understanding of the human condition and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work.”
The album sees Manuel collaborate with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track “Creature” which Felix would chop, pitch and layer into new melodic lines and seed throughout the album.
Manuel’s new approach expanded to experimentation with field recording, contact micing his piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. “Music helps me to communicate the sorts of things that I find almost impossible to put into words. I think the process for this album has helped me create a richer and emotionally complex body of work than I have managed before.”
02. Waters Rising
03. Creature pt.1
04. Creature pt.2
06. Blue Violet
08. Showreels Pt.3
09. Blood In My Mouth
Portrait With Firewood LP will land on August 17, with “Sex” streaming in full below.