Review from www.pitchfork.com . On the first song on their debut record, MGMT let us know how they got here. The rock song-as-origin myth is nothing new– from “Who Do You Love” through “Immigrant Song”, to “We Share Our Mother’s Health” and Kanye West’s “Big Brother”– and “Time to Pretend”Read More →

Review from www.aquariumdrunkard.com . As rock & roll gets older – really as any medium of art gets older – the questions start amassing about where there is left to explore once more and more corners of a once dimly lit room are illuminated. What once seemed unlimited is nowRead More →

Review from www.pitchfork.com . Luke Temple’s first foray into pseudonymical songwriting territory feels as current as did Snowbeast and Hold a Match for a Gasoline World , his prior two records released under his given name. But where those albums– banjo-centric and cast with Temple’s delicately high-pitched voice– situated him firmly in the realmRead More →

Album Review: Parquet Courts – Light Up Gold What starts off like a Dead Kennedys album on mescaline, ends like a warped Big Star 7″ single. That’s Parquet Courts for you: bratty, messy, loud, and full of heart. On their second full-length, Light Up Gold, Texas transplants Austin Brown and Andrew Savage discover AmericaRead More →

Album Review: Ultimate Painting – Ultimate Painting As Ultimate Painting, UK duo Jack Cooper and James Hoare dive into influences and pursue whims they aren’t able to in their other bands. Cooper’s work in Mazes draws upon ’90s American indie rock, referencing acts like Dinosaur Jr., Pavement, and Yo La Tengo in the theirRead More →